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A contemporary restaurant and bar, together with six new apartments, give this 1950s building a new perspective

interior view of an aprtment from under the ceiling, floor, flooring, interior design, living room, lobby, loft, real estate, room, gray, black
interior view of an aprtment from under the stairs into the sitting room, gray couchs on steel legs, wooden table against left wall under painting with navy blue high backed chairs, large windows let light in, ceiling to floor drapes

Introducing fresh architectural elements to a 1950s building requires careful consideration. One approach is to let the new additions stand out from the original fae§ade celebrating, rather than minimising, their differences.

This was the approach architect Richard Dalman took when introducing a restaurant and bar into the 1950s Poplars apartment building beside the Avon River in Christchurch. The owner, Antony T Gough, wanted a facility that would cater to apartment guests and attract clientele into the restaurant.

The second part of the brief was to create six comfortable new apartments and a modern reception area.

"The Oasis Restaurant and Bar has been conceived as a distinct architectural piece," says Dalman. "With its bold glass fae§ade, the venue acts as its own advertisement, catching the eye of passers-by."

Designed as an urban oasis, the restaurant cantilevers over the footpath towards the river. Sliding doors along the north and west fae§ades allow the space to open out to the river.


view from the stairs looking into the bedroom interior design, black
view from the stairs looking into the bedroom on the mezzanine and bathroom, central workstation and part of kitchen can be seen below

The water's light-reflective qualities are echoed in the restaurant's interior. Polished white tiles, glass tabletops, suspended white ceiling canopies, and a back-lit bar front give the venue a vibrant decor and bring a sense of the adjacent river inside.

A European beech veneer, used in elements of the bar area, also features on the reception counter surfaces in the lobby. As well as welcoming guests and Oasis patrons, the new lobby acts as a transition space between the colourful, bustling restaurant and the new ground floor apartments. The lobby's chocolate hues and carpeted floors also harmonise with the soft-toned apartment interiors.

Six new apartments were completed by the architect three on the ground floor and two on the first floor. These are designed to be leased out for long or short-term stays. The sixth apartment is a manager's flat spanning three levels.

The construction space for the ground floor apartments had a generous 4.5m ceiling height. This became central in the design process, as it allowed for the creation of mezzanine bedroom floors and a resulting sense of spaciousness. The generous use of space is particularly evident in the largest apartment, the Presidential Suite, which is featured on these pages.

"This apartment utilises its height to dramatic effect with full-height glazing along the northern fae§ade, complete with two sets of bifolding doors and full-height drapes," he says. "With both the living area doors and those along the balcony folded open, occupants have a panoramic view to the poplar-lined river.

View of the kitchen, wood cabinetry, long stainless cabinetry, countertop, interior design, kitchen, property, room, brown
View of the kitchen, wood cabinetry, long stainless steel handles, stainless steel fridge, oven and stove top

Dalman Architecture was also responsible for the interior design of the new apartments. The intention was that the apartments should be contemporary, comfortable and restful places.

"This led to the choice of all-wool fabrics and a colour scheme that defines the space in a gentle way," says the architect. "The bold splashes of colour were reserved for the Oasis Bar and Restaurant."

Solid materials and the use of minimalist detailing help to ensure up-market and enduring interiors. For example, polished black granite was used for the kitchen benchtops and cantilevered bathroom vanity surfaces. Touches such as satin chrome stainless steel and toughened glass highlight the stair handrails and balustrades.

"The transparent balustrades add to the feeling of space," says Dalman. "They also facilitate uninterrupted views from the mezzanine level out across the living space to the river beyond."

Credit list

Architects
Richard Dalman, Brett Ridley, Martin Barr, Dalman Architecture (Christchurch)
Interior designer
Dalman Architecture
Mechanical and structural engineer
Powell Fenwick
Fire consultant
Cosgrove Major Consulting Engineers
Roof
Butynol Butyl Rubber
Flooring
Carpet, Feltex Fairbanks (lobby), Feltex Colourburst (apartments)
Tile installation
Brymac Industries
Hardware
Lockwood from Smiths City
Window treatments
E-cote (apartments), Luxaflex horizontal cedar louvres, from NZ Window Shades
Ceiling
Slotted pine from Bushnell Builders
Sun louvres
Airfoil Sun Louvres from Louvre-Tec
Furniture
Bar stools, restaurant tables and chairs, from John Cochrane Commercial Furniture; bar easy chairs by Formway Plus; apartment furniture from DA Lewis; customised reception chairs by Toomeys
Bedspreads
Maxwell Rogers by Uren Barsal
Kitchen appliances
Southern Hospitality
Developer
Antony T Gough
Main contractor
Bushnell Builders
Quantity surveyor
Shipston Davies
Cladding
Hardies Titan Panel
Façade
Alucobond aluminium panels from Arteco Facades
Tiling
Matt Leonardo from Jacobsen Creative Surfaces (entry, back of bar), Crystal Quartz from Tile Shoppe (restaurant entry), Perseo (apartment kitchens)
Window/door joinery
Noise-attenuated steel window section from Southland Glass; aluminium windows and doors from Seymour Aluminium
Balconies/balustrades
Cashmere engineering, Christchurch Mirrors
Wall coverings
Gib Board from Winstone Wallboards
Paints
Dulux
Lighting
The Lighthouse
Upholstery
Maxwell Rogers; Instyle; Envogue; Woven Image
Drapes
Maxwell Rogers fabric by Weco Manufacturing
Stone work
Granite from Trethewey Granite & Marble

Story by: Trendsideas

11 Jun, 2004