Facebook

Tweet

Help

Workers unite

A key design driver for this new distribution centre and company head office was the need to unify all departments under one roof one business, one focus, one staff

Interior of Office max offices featuring office furniture, interior design, office, gray
Interior of Office max offices featuring office furniture, polished concrete floors, lighting.

For many companies, warehouse operations remain completely separate from head office and this applies to staff as much as buildings. But one large office products supplier has turned this idea on its ear. The new head office and northern distribution centre for OfficeMax is designed to unite employees, not separate them.

OfficeMax chief financial officer Sarah Herrod says centralising operations provided an ideal opportunity to rethink the way the company worked.

"The new building brings together staff from two distribution centres and three offices, spread over three locations," she says. "The community aspect was extremely important to us. We saw this as a chance to improve communication and encourage employee interaction through face-to-face meetings. We wanted a very open office, with much more shared space, including a shared cafeteria and breakout zones and fewer separate offices."

Architect Jeremy Craig of Ignite Architects says the desire for one workplace to reflect one business focus became a key driver for the design.

"We literally put everyone under one roof," Craig says. "We made the office space a continuation of the distribution centre by extending the warehouse roof right across the entire building. The roof culminates in large steel portals that project out the front to provide a brise-soleil. This provides shelter from the sun in the north, which was essential as this side of the building is fully glazed to maximise the view of the estuary."

On the inside, the architects created an internal street with an 8m-wide atrium, which all workers pass through en route to both the offices and warehouse. Skylights above the street allow natural light to penetrate the centre of the building, helping to achieve a bright, airy interior.

Office workspaces on all levels open directly onto the atrium, providing a transparency in keeping with the open nature of the company's work practices. In addition, staff breakout zones and casual meeting areas are positioned on the bridges above the atrium. And the street is open to the staff cafeteria that serves all staff.

"The transparency of the interior ensures everyone feels as though they are part of one team," says Craig.


Images of the Interior of the Office max cafeteria, furniture, interior design, restaurant, table, gray
Images of the Interior of the Office max Building. The Images are of the shared cafeteria for the staff. Features wooden tables, tables and chairs.

Open stairwells further enhance the openness, and provide opportunities for casual staff interaction. The designers positioned the lift on the opposite side of the atrium to encourage staff to use the stairs. Even the fire stairs were designed to be used on a daily basis.

Sustainability was another key driver for the design. Although the building was designed before a Green Star rating tool was available, every effort was made to choose environmentally friendly materials and finishes.

The subdued material palette of concrete, steel, glass and timber was chosen with this in mind, but it also conveys another message, says Craig.

"Rather than spending money on fancy finishes, we wanted to show that this company is 100% focused on its business functionality hence the exposed steel bracing in the atrium, the exposed services and ceiling, and the extensive use of polished concrete. There are also precast concrete panels, both outside and inside."

The precast concrete panel wall on the interior separates the distribution centre from the offices. The concrete has been scored in a repetitive pattern that is reminiscent of bar codes the system used to track all product as it passes through the warehouse.

"The concrete wall has an important aesthetic role to play," says Herrod. "It reminds everyone of what is happening on the other side it keeps the focus on what the business is really about."

The services core is another sculptural feature within the atrium. Panelled in sustainable plywood, the core is a prominent vertical element that balances the strong horizontal lines of the office floorplates.

"With its timber plywood panelling, the core visually plays off the precast concrete wall," says Craig. "It also references industrial packaging."

Interior of Office max offices featuring office furniture, architecture, ceiling, floor, furniture, glass, interior design, office, product design, table, gray
Interior of Office max offices featuring office furniture, polished concrete floors, lighting.

Craig says the position of the core, on the opposite side of the atrium to the workstations, was critical.

"Staff have to cross the atrium bridges and pass alongside the breakout areas, which further increases the likelihood of impromptu meetings."

David Gunn, business development director of interior design firm Stack, says the office layout is mostly open plan, but there is no sea of desks.

"Workstations are separated into different areas, punctuated by meeting rooms, utility rooms and occasional offices," he says. "In addition, central storage units feature work tops, so they can double as meeting tables. There are many places where teams can collaborate on projects as required."

The designers have also ensured there is plenty of natural light offices are fully glazed and there is a 1.2m-wide walkway around the perimeter of each floor.

"Rather than having one or two people enjoying the view, this layout means everyone can share it," says Gunn. "With power and data cables running through the floor, we were able to position workstations exactly where they were needed."

Stack introduced bright graphics in key areas. Glazed strips in the wall near reception are filled with colourful stationery items, such as rubber band balls and pencils. Accent colours also appear on stools, sofas and rugs, which contrast more subdued shades, such as the timber laminate tables and bench seats in the cafe.

The cafe is also defined by exposed services and large suspended acoustic panels that help create a sense of intimacy.

Credit list

Architect
Ignite Architects – director Jeremy Craig; project team leader Stephane Gascoin
Kitchen designer
Stack and Southern Hospitality
Mechanical and electrical engineer
Medland Metropolis
Construction company
Macrennie
Kitchenettes and joinery
Yourspace Developments
Roofing
Colorsteel
Hardware
Ingersoll Rand
Flooring
Polished concrete; Interface carpet tiles in EntropyRE Variations, Solid Foundations Dark Olive, Olive and Mustard
Ceiling
Mars Climaplus from Donn
Paints and varnishes
Resene
Feature panels to mailpod
OfficeMax product; design by Stack
Reception furniture
Cite Level 34 reception desk
Desking systems and office furniture
Ergoform Lilypod
Breakout area and café furniture
Cite; Titan; EJP; Bremich
Lifts
Kone
Interior designer
Stack – Cheryl Swainston, Natalie Walker and Emily Evans
Civil engineer
GHD
Quantity surveyor
WT Partnership
Fit-out contractor
Cape
Cladding
Colorsteel; precast concrete panels
Window and door joinery
Bradnames curtain walling; Vantage commercial shopfront
Window coverings
NZ Window Shades Pearl Beige blinds
Wallcoverings
Swinson's Vycon Brio; café wall – Tretford carpet Autumn Fern, Lettuce Leaf and Double Cream; mail pod wall – Ambitec Suave Gravel Grey
Veneers
Trugrain Wenge and Bestwood Rye
Reception lamp
ECC Lighting
Step ladder to library
Kartell
Meeting and boardroom furniture
Forza Incognito tables; Damen Network chairs
Filing systems
Lundia manual mobile shelving;
Phone tables
Lundia

Story by: Colleen Hawkes

05 Dec, 2008

Home kitchen bathroom commercial design


We know the Specialists

Similar Stories