Four-level modern steel and glass home embraces its mountain and lakeside setting
Biophilia is defined as the connection humans have with the nature world – this Queenstown home reflects that by appealing to four of the five senses

Often mountain homes are connected to their setting simply by being constructed with local materials. However, this modern residence – with alpine and lake views to the front and forest and stream outlooks to the rear – takes a more immersive approach.
Architect Gary Todd says he wanted this to be a sensory biophilic residence – essentially, a house designed to evoke its environment through the senses of sight, sound, smell and even touch.
Nestled on a modest, sloping site, the four-tiered concrete, steel and glass home has a clean-lined architectural presence. Cantilevered decks reach out to the scenery front and back, while solid and louvred walls provide privacy from the street below and from neighbours. However, seen front on, the extensive glazing gives the four-level home a transparent quality.
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Level 1 comprises the entry, stair and lift access, garage, laundry, gym and guest room; level 2 has three bedrooms, an office and movie room and connects to a outdoor spa and sauna; while level 3 is the sprawling open-plan, indoor-outdoor living zone.
Lastly, the home’s glass lift accesses the top-floor entertaining zone, complete with its all-weather seating/dining, teppanyaki island, lush plantings and 360° views.
Visitors appreciate the setting visually through the extensive glazing. However, this is only one of the senses engaged here.
“The architecture really is all about connecting with nature,” says Todd. “And central to achieving this, we designed a waterfall to cascade from a forest brook at the rear of the home down to a pond in the rock garden. It then appears to continue inside as a vertical waterfall – flowing into the heart of the home via the internal stairwell to the foyer and entry ponds.”
However, though it all looks free and flowing, in reality pump systems create the illusion of a connected water flow – even though glass walls separate the stream from its indoor counterpart.
So this flowing water finds its way into the long, linear ponds flanking the entry – thus providing a natural water connection to the lake as one enters the home. Once inside, visitors experience the scents of nature, as well – thanks to the lush vertical gardens on the hallway walls and further scented plantings on the rooftop.
Then there’s a fourth sense – touch. Board-formed concrete walls reflecting the texture of forest trees, the use of natural stone in ponds, and an exposed rock feature in the garage are just some tactile elements.
The house has features that go beyond the sensory, too. The foyer has a dramatic glass ceiling – the floor of the home office directly above – creating the feel of an airy, double height volume as you enter.
And while the home is south-facing, the interiors are light-filled and sunny.
“The architecture utilises axial view shafts to create a permeable building, overcoming the limited access to northern sunlight,” says the architect. “Glass walls around the lift and stairwell create a lightwell penetrating all four levels.”
While the home looks made for a warm climate with a facade that’s 70 per cent glass, the windows and doors are triple- glazed and argon gas filled. Winter or summer, the home is always comfortable.
Credit list
Architect
Kitchen design and interior design
Landscape design/installation
Cladding
Louvre system
Paint
Tiles
Paint
Kitchen sink
Kitchen splashback
Heating
Lighting
Furniture
Builder
Kitchen manufacturer
Pool design and install
Roof
Flooring
Wallcoverings
Kitchen benchtops
Taps
Refrigeration
Control systems
Lift
Awards
Story by: Charles Moxham
Photography by: Simon Darby
Home kitchen bathroom commercial design
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