Barrett says a great deal of thought was given to ensuring the functionality of the home especially as it is only 260m². That meant combining modern design with a family feel, to ensure all of the areas are usable, and that there is no wasted space.
The spaces can also be easily reconfigured to suit the changing needs of the family unit. The downstairs area can be used as a self-contained master suite, a children's bedroom and play area, or even a teenager's retreat complete with its own separate entrance.
The minimal use of colour and adornment also serves to highlight the pared-back interior architectural style that Barrett chose for the house. All of the lighting, for example with the exception of the kitchen pendants is recessed, in keeping with the desire for an unbroken ceiling plane.
"All of the built-in cabinetry has been designed to conceal electrical wiring, while light switches and power outlets have been kept to a strict grid pattern to minimise their visual impact," says Barrett. "Everything is designed to magnify the sense of open space."
Credit list
Ruth Rocker by David Trubridge; Vernon Armless chair; Cayo sofa; Bedwyr Davies Loop coffee table; Marine Bean bean bag by Coast New Zealand from Eon Design Centre
Giddyup rocking stool by Tim Wigmore; Vernon Armless chair; Dom hall table; leather ottoman from Eon Design Centre
Universal Lighting Edgecliff; ECC
Paints
Country Colours from Resene
Floral settings
Vida Flores
Stuzzi outdoor setting from Eon Design Centre
Zinda porcelain tile from European Ceramics & Stone;
Real Fires; Warmup New Zealand
Corian; linen finish stainless steel
Bleached oak with Corian basin
Zinda porcelain tile from
Story by:
Justin Foote
Photography by:
Jamie Cobeldick Please do not disturb The central principle behind the design of this infill house was to provide
29 Sep, 2009