The interior layout was largely determined by the structure and by what could and could not be moved, says Cleverley.
"It was also determined by the need to provide an easy flow through the building, and the need for secure areas that could be closed down after hours."
To ensure the reception area would be readily identifiable, it was positioned at the top of the stairs, on the main arterial route through the building. Rather than provide the usual two sets of doors, the designers installed a large sliding door. Painted orange, the door is a distinctive architectural element. Its open grille design allows the reception area to be secured after hours, yet the reception remains visible to students moving through the building.
"The slats of the grille are not evenly spaced, being closer together at one end," says Cleverley. "This was a way to play on the perspective the slats look the same distance apart as you approach the door."
Another touch of whimsy is provided by the sculptural computer cabling that helps to separate the reception desk from the adjacent corridor. Originally designed to conceal computer wiring, the sculpture enhances the high-tech look. Similarly, the green panelling in the reception area, which is comprised of recycled electronic circuit boards, reinforces the theme.
Cleverley says a lot of emphasis was given to both natural and artificial lighting throughout the building. In the reception area, uplights illuminate the ceiling and help brighten the overall space. Commercial lighting below the main signage adds further visual drama, and was a cost-effective option.
"The lighting reads like a continuous wand of light that runs across the space," he says. "In the long corridor, we have introduced traditional street lights, which provide good ambient light and also help identify this as the main thoroughfare through the building. This is a very long passage and the march of the street lights provides a sense of scale and breaks down the apparent length."