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Set on raised ground among agricultural plains, the Edcouch-Elsa Fine Arts Center represents a coming together of local Tex-Mexican tradition and bold modernism

Exterior view of the Edcouch-Elsa Fine Arts Centre arecales, estate, home, palm tree, plant, property, real estate, resort, tree, brown
Exterior view of the Edcouch-Elsa Fine Arts Centre which stands on built-up land within an open landscape.

A new theatre and fine arts centre capturing the spirit of a Texas-Mexico cultural synergy might be expected to have the odd archway, or gleaming stucco facade. But when the designer seeks to embody a new wave of cultural harmony and positivity, a very different set of architectural values can result.

Architectural firm Kell Mue±oz Architects undertook the design of the Edcouch-Elsa Fine Arts Center in just such a spirit of contemporary interpretation. Executive principal Henry Mue±oz and principal in charge John Kell explain the reasoning behind this bold addition to Edcouch's generally understated skyline.

"The brief, from the Edcouch-Elsa Independent School District, was to create a standout centre for dance, song, drama and artistic education all on a very tight budget. The centre was to be a cultural landmark capturing the spirit and pride of Mestizo, a term that's come to symbolise a merging of Mexican-US cultures over generations," says Mue±oz. "Much research went into capturing the spirit of the impoverished, agricultural Edcouch area and the predominating Mestizo culture. We were impressed by the profusion of farm machinery and by the number of automobile shops along the highways of this flat, arid land."

These utilitarian structures were often designed with a garage in the middle, mechanical service areas to the rear and a large shading structure over the front entry. John Kell says these garages, with their simple, bold forms and international-modernist feel, were the direct inspiration for the Edcouch-Elsa Fine Arts Center.


View of the mural which extends from the architecture, ceiling, daylighting, facade, interior design, line, structure, gray
View of the mural which extends from the exterior into the foyer interior.

"The Center's glass-walled foyer echoes a garage's forecourt, the auditorium proper can be seen as the actual garage, where the work is carried out, while the tallest part of the structure, the backstage area with its dressing rooms and classrooms, is a little like the machine workshops at the rear of the garage."

To ensure a prominent position in the landscape, the centre was built on raised ground, which in this area means it can be seen from miles around.

"Other cultural emphases are incorporated into the design, too," says Mue±oz. "The colourful, 91m-long mural that adorns the auditorium is a graphic rendering of the soundwaves of a local corrido, or folk song. The vibrant yellow exteriors refer to the name of the song, The Yellow Machine, and the colours of the region's wildly popular local football team."

The Edcouch-Elsa Fine Arts Center is built largely in premanufactured metal sidings, again taking a cue from the area's ubiquitous garages. This choice of material, and the building's simple construction lines, played a large part in keeping the costs down.

View of the auditorium which has more subdued architecture, auditorium, building, ceiling, concert hall, daylighting, interior design, light, lighting, opera house, performing arts center, theatre, wall, wood, orange
View of the auditorium which has more subdued tones in contrast to the colourful exterior.

Kell says one of the most important aspects of the project was the spirit in which it was constructed.

"Several subcontractors and the main players gave generously of their time and resources to make this project happen," says Kell. "The design for the vivid, giant mural, for example, was donated.

"The modernist look of the Center reflects and symbolises a Tex-Mex cultural vanguard. To this end, guests walk right through the mural in the foyer interior as they enter the auditorium proper."

Credit list

Client
Edcouch-Elsa Independent School District
Contractor
Jamail Construction
Structural engineer
Hinojosa Engineering
Theatre consultant
Wrightson, Johnson, Haddon & Williams
Roofing
Atlas Roofing; membrane roofing, flashing and sheet metal by Certain Teed from C & M Contracting
Sunshade
Epicore
Doors and windows
H & H Overhead Door
Tile
Daltile floor tiles; Interceramic wall tiles; from Phoenix Masonry
Metal ceilings
Noise Control Systems
Carpeting
Karistan from Lopez Carpets
Mural paint
Sherwin-Williams
Theatre rigging
Texas Science; Thermotex; KM Fabrics; H & H Specialty Ties from Texas Scenic
Architect
Project leader, Henry Muñoz, Kell Muñoz Architects; design team, Ronald Biediger, AIA, John Kell, FAIA, Claudia Carlos, AIA, Baldemar Bernal
Mechanical, electrical, plumbing engineer
Goetting & Associates
Civil engineering
Noe Garza Engineers
Cladding
Concrete from South Texas Concrete, masonry from Phoenix Masonry, metal decking and steel joists by Vulcraft from South Steel Fabrications
Wall panels
MBCI Metal Roofing and Wall Systems from Southern Steel Fabrications
Glass and glazed curtainwall
Vistawall from Twin City Glass
Gypsum board framing and accessories
Clark Steel Framing Systems from ABC Framing Systems
Acoustical ceilings
Armstrong
Paints
Sherwin-Williams from ABC Framing
Mural
Kell Muñoz Architects
Mural painter
Meza Enterprises
Theatre lighting
Electronic Theater; Controls; SSRC; Altman; Strand Lighting; Spectrum Lighting; Act Lighting from Texas Scenic

Story by: Charles Moxham

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