A new two-story volume at the rear of the cottages was also required, for garaging and a new master suite. Introducing a new building to the site created challenges, however.
"There were height limits to consider as well as aesthetics," says Behal. "We opted to replicate the cottage form, so the new structure reads as a separate building, almost like a carriage house. The connecting element, which is all glass, is very discreet and can't be easily seen from the street.
"The addition has a gabled, board and batten construction, rather than brick. We didn't want to create a false sense of history by extending the brick buildings in front they needed to retain their original form. The frame construction of the carriage house echoes a building on the other side of the street, so it continues the cadence of the neighborhood."
To create an open, flowing interior, the original cottages were gutted, with each providing two main rooms. In the first volume, which houses the living room and study, the ceiling was removed and beams exposed to create a lofty, airy look. New skylights in the roof introduce plenty of light into the interior, but are hidden from view on the exterior.
Brick walls were exposed and wide arched openings created to ensure the historic fabric could be readily seen. Two steps accommodate the slight change in level between the cottages.
Donna Corbat of Gary Lee Partners, the interior designer for the project, says the owner wanted the house to stand on its own it was important that nothing would detract from the architecture.