In addition, the redesign needed to present a new public face for Wesfarmers the refit of the reception area was a priority. Lian says that as the company has one of the largest art collections in Australia, the design team commissioned a sculptural wood reception desk that would be an artwork in itself.
"The desk, designed by award-winning furniture designers Jon Goulder and Malcolm Harris in collaboration with Woods Bagot, and sourced through Form, embodies the concept of growth from small beginnings. The rings of the wood represent the way Wesfarmers has grown gradually through business acquisitions and expansion. And the fluidity of the curves and the carpet reflects the adaptability of the company as it changes over time."
Lian says wood furnishings are also part of the company's heritage the original fit-out featured more traditional wood furniture.
The company branding appears on a backlit Marblo polymer screen. Lian says the subliminal message is one of transparency the publicly listed company is open in its dealings with clients and shareholders.
Similarly, in the offices, the new open-plan layout allows for greater transparency. Designed after extensive consultation with staff, and a three-month test of a prototype, the new arrangement groups employees in pods of three or four, and provides high visibility.
"We pushed all the built-up spaces and services against the core of the building and opened up the office to the view," says Lian. "All the workstations have views of the river, which is a complete reversal of what was there before. The new layout also maximises natural light, reducing the need for artificial light."