Sense of history A chic update of an historic property by SPG Architects

In any large city, over an extended period of time, the purpose of its buildings will evolve with each successive tenant.

Built in 1901, the featured property has variously been a studio for a prominent sculptor, an author and, more recently, a musician. In that time, it has also been a personal residence, and is so again.

"The original structure was a two-story carriage house with a private courtyard," says Coty Sidnam, principal of SPG Architects.

At some stage the courtyard made way for a two-story extension, which in turn received its own four-story addition before Sidnam's client brought the property.

"Perhaps not surprisingly, the interior was a bit of a mishmash, with odd circulation."

"The biggest circulation problem was that the stairs were positioned in different places on each level of the house. The client wanted to carry out a complete remodel that also addressed the circulation issue and created a more unified interior," says Sidnam.

The owner's wish list was quite extensive, including a media room, billiards room, office, private roof space and a virtual golf room, says Sidnam.

"Incorporating these rooms into the overall design took a bit of juggling, as it wasn't immediately obvious how the spaces would play out when we first visited the property.

"Then there was the owner's wish to bring in a Moroccan motif that would underscore the aesthetic."

Traditional materials, such as mosaics and hand-carved doors, are seeded throughout the interior and are augmented by custom elements such as the Jali-inspired kitchen cabinetry and decorative stair element.

Laser-cut aluminum panels act as railings for the impressive staircase and feature a design adapted from an original in the Alhambra.

"The physical presence of the screen mirrors the wood paneling on the opposite wall.

"These two treatments serve to focus attention on the double-height living area at the end of the corridor.

"At 20ft high this space has a commanding presence, which the continuation of the paneling onto the rear wall accentuates."

The color palette of browns and ochres is punctuated by rich blue hues and the textural interest of the Burma teak marble used on feature walls.

"These elements add richness, ensuring the pared-back palette remains enlivened and doesn't become flat," says Sidnam.

"While not without its complications, the project has turned out to be a real success. The owner has had some time to live in the property and is happier now than when he first moved in."

Story by: Justin Foote

Photography by: Daniel Levin