The exterior is highlighted by a subtly changing series of facade treatments, including bands of black and white designed to accentuate the horizontal a reference to the heavy pedestrian and vehicular movement around the intersection. In addition, extruded rectangular architectural frames staggered up the height of the Pitt Street facade create a visual widening of this corner at the lower levels. Towards the opposite end of this facade, the treatment is more constant, with dark-grey horizontal spandrel panels and glazing.
The main entrance, in Goulburn Street, sits beneath the recessed, full-height glazed strip that suggests the atrium space within. The glazing extends down to the retail space, breaking the solid nature of the podium to form the entrance to the building.
"It was important to create a sense of arrival we needed to entice people up the long escalators to the lobby," says Harman. "A commissioned art work by Sarah Robson is particularly successful at helping to visually link these spaces. The building was also designed so that it is possible, from street level, to look up the escalators and catch a glimpse of the sky through the glazed atrium roof."
A simple, yet innovative atrium design fulfils the client brief on a number of levels. It delivers large amounts of natural light while still allowing large office floor plates approximately 2500m² of net lettable area. In addition, with its glass lift enclosures and glazed stairwell, the atrium provides a sense of transparency that enhances visual communication.
"People can see each other as they move through the building," says Harman. "The design highlights the circulation areas, both horizontally and vertically, which helps to animate the space. Similarly, the exposed steel lift structure makes the space very dynamic."
A rectangular floating light fixture above the atrium seating area helps to bring a human scale to the space, creating a sense of intimacy.