The architect consequently designed the main part of the house as a long Modernist box or enclosure that sits on a heavy block base. The box-like element features silver-beige travertine, chosen for its strongly linear grain.
"The front facade resembles the end of a tube that is lifted off the ground negotiating the landscaping," says Chindarsi. "Openings in the stone create an abstract composition that informs the placement of the rooms behind for example, a balcony pops out from a bedroom on the upper level. And a stone wall at right angles to the facade expresses the spine that runs right through the house."
Because the front of the house is exposed to the west, and climate extremes, it also has a deep overhang. Both the overhang and the solid weathered stone ensure the facade takes on a protective role.
Teak panelling features at the entry to one side of the house a reference to the owner's love of yachting. On the interior, additional panelling surrounds the stairs and defines the spine. These panels are walnut, with long vertical slots accommodating feature lighting.
But it is the solid travertine wall pushing through from the exterior that anchors the interior visually. This leads the way into the main living area and reappears at the back of the house, maintaining a sense of connection.
The living area opens out to a walled courtyard and a lap pool beyond the expansive glazing also brings plenty of light into the centre of the house. To provide even more light, a long horizontal window looking onto a green hedge forms the splashback in the kitchen on the opposite side of the room.
The material palette, while mainly stone and timber, also incorporates white-lacquered cabinetry and stainless steel. There are two structural steel columns near the kitchen in the main living area.