Hangzhou Yuhang Opera features a sculptural facade evoking cracked ice

Designed by Henning Larsen

From the architects: 

Hangzhou Yuhang Opera opens its doors to the People, placing the arts at the centre of new cultural crossroads 

The new 70,000m² opera offers a state of the art space for performance and events amidst an idyllic park, connecting to an ancient cultural legacy

Nestled between the bustling city of Hangzhou and the calm shores of East Lake, the Hangzhou Yuhang Opera cuts a distinctive profile on the skyline, its landscaped peaks appearing to dip beneath the water’s glassy surface.

The new building forms the heart of a new cultural node in Yuhang, a fast-growing district in the metropolis of Hangzhou.

Completed in May 2019 in collaboration with Hangzhou Architectural & Civil Engineering Design Institute Co., Buro Happold Engineering, and with Bassinet Turquin Paysage and AECOM for landscape, the large performance venue is an unmissable presence on the otherwise uninterrupted waterfront.

The new structure houses a broad range of culturally oriented spaces, including a 1400-seat multipurpose auditorium, a 500-seat black box theatre, an exhibition centre, and supporting facilities.

“There is a competition amongst Chinese cities to create new destinations, each with their iconic cultural landmarks,” says Claude Godefroy, Partner and Design Director of Henning Larsen’s Hong Kong office.

“When designing those cultural nodes, our most important task is to create truly lively urban centres that can welcome citizens at all times whether they are paying guests or not.

“That is why we take care to design a diversified and activated public realm around the venues to complete the experience and to complete the city with liveable city centres.”

Extending Cultural Connection from West Lake to East Lake

Crucial to the design was East Lake, an expanse of water that lies at the heart of the surrounding park and forms the shimmering, reflective backdrop for the new Opera.

While at first glance an established landscape, the lake was in fact part of Henning Larsen’s winning competition design, mirroring Hangzhou’s famed West Lake and creating a geographically contrasting node for culture in the urban region. 

A meandering promenade circles the lake, passing through small pocket parks (including a traditional Chinese water garden) and commercial facilities.

The exterior edge of the park borders a high-speed rail station that has been instrumental in Yuhang’s recent growth and will welcome even more visitors to the new cultural destination.

The opera dominates the lake and the surroundings with a publicly accessible sloping landscape reminiscent in form and scale to ancient manmade landforms that have been discovered in the region. 

“People in this region are proud of the 3000 year old mysterious gigantic sloping landforms their ancestors built while laying the foundations of the Chinese civilization. We were inspired by them to use the roofs of the Opera to re-create similarly elevated vantage points above the surrounding lake and landscape.”

A Building that Dissolves into the City

The two sloped and intersecting masses of the Opera perch above an elevated public plaza, the roofs touching lightly on the ground level to invite visitors to climb up and enjoy the view.

Both structures are clad in a graphic façade pattern that references ice cracking on the frozen lake; moving from solid back-of-house coverage to near total transparency where it encloses the public foyers – floes of ice drifting away to reveal the bright interior.

The different entrances to the building connect in a path around the auditorium that offers views to the lake and foyer interior.

Interior balconies and staircases maximise views out across the site and within the foyer: after all, going to the opera is about seeing and being seen.

The Opera building comprises two main performance/event spaces: the Main Hall, which can seat up to 1400, and the 500-seat Black Box theatre.

The ability of the halls to host a variety of events was a core focus in the design, driving the ambitious acoustic and stage design inside the halls.

The Black Box theatre can literally open along one full side to the elevated public plaza, becoming a stage for a massive 10,000 people exterior venue.

“The capacity of auditoriums to serve multiple purposes is essential to secure lively venues that are utilized throughout the year,” says Godefroy. “Those auditoriums are complex to design because of seemingly conflicting requirements for the different configurations, but it is possible and the increase in cost is marginal compared with the cost of single purpose venues.”

Henning Larsen is globally known for its expertise in operas and concert halls; in 2018 it was announced that the office would lead the expansion of Paris’ famed Opera Bastille. In Asia, the office is also completing the Shaw Auditorium at the Hong Kong University of Science and Technology and the Foshan Opera.

Story by: Trendsideas

Photography by: Philippe Ruault