Inside, much of the existing office interior was gutted. When the top level of the three-tier unit was taken out, the original skylights were uncovered, and these were replaced by the designer. An end section of the floor beneath was also removed, creating a double-height void which benefits from the light flooding down from the skylights.
One or two concrete beams were retained for character but otherwise, all the internal walls and structures were taken out. The result is a single, open-plan space at ground level. This includes a sitting area by the entry, a kitchen in the middle and a second seating area and office space at the other end.
The room now runs from one end of the apartment to the other, and can be divided by an operable screen to provide intimacy for work meetings. The pattern on this metal screen echoes that of the fence in the courtyard.
Next to the screen, the kitchen has a large island with an expansive work counter, selected because the owners love to cook and entertain. The rear cabinetry is faced in finely perforated mesh, so cupboard contents can be seen when the internal lighting is switched on.
Upstairs, there is a bedroom at one end and a small living area at the other. A cube-shaped bathroom inserted between acts as a divider, with halls along both sides. The geometric form of the bathroom gives it a sculptural appeal the look is accentuated by the position under the skylight. And as the room has no ceiling, it can take full advantage of the natural light.
"While the new layout optimises light flow and accentuates the good bones of the building, we also wanted to use materials to extend the loft aesthetic," says Goh. "We scraped the old plaster off the walls to reveal rough, red brickwork, which we painted white as a feature wall. On the wall opposite, we created shelving units in a style that mimics the brickwork. And we chose brick-shaped subway tiles for the front of the kitchen island."