"This building has a Mansard roof with small dormers. From the street, one would imagine a small, intimate loft space, so this interior is a bit of a contradiction. When you open the front door, the space opens right up two subtly curved walls enhance this effect and provide relief from the more linear elements."
Central to the design is a vast atrium created by the removal of a section of the roof, which was replaced by a large skylight. This allows light to penetrate the middle of the apartment. Mohn says he envisaged this colonnaded space as an internal courtyard, similar to those found in Roman villas.
A line of wood columns, part of the original structure, defines the atrium within the open-plan space. It is further highlighted by a black industrial steel staircase leading to the rooftop terrace, and a floor-to-ceiling steel-and-glass partition, which separates the atrium from the kitchen.
"We wanted to retain the atmosphere of an attic, but we also wanted to introduce industrial elements," says the architect. "The partition was inspired by a gothic-style church in Berkeley, California, designed by Bernard Maybeck in the 1920s. The screen is an homage to the steel factory-style windows of that era."
Mohn says the restoration project also involved extensive structural reinforcing to the roof. And to maximise views, the windows in the living and dining rooms were extended by one metre. The extra height also made the windows more dramatic, and a more appropriate scale for the interior.
In keeping with the desire to retain the building's character, the original brickwork was painted, and polished wood flooring introduced to the public areas. Furnishings were chosen for their warm, neutral tonings, with many items collected by one of the owners during overseas travels for a not-for-profit organisation.