LED lighitng resembles cascading strings of pearls in the Paspaley jewellery store, Brisbane

Luxury jewellery boutique in Brisbane by architect Eric Carlson of Paris features cascading LED pearl strings, with seductive, sensous detailing

Boutique retail stores are taking a cue from boutique, display window, retail, brown
Boutique retail stores are taking a cue from high-end residential architecture, offering smaller, more intimate viewing spaces, says architect Eric Carlson, a specialist in luxury retail design. His design for the new Paspaley boutique jewellery store in Brisbane is a prime example.

There is often a sense of theatre about a high-end jewellery store. Unobtrusive spotlights and glittering display cases set the scene, allowing the jewellery itself to be the showpiece.

For the owner of the Paspaley business, this wasn't enough, however. His brief for the new Brisbane and Melbourne stores required "the most beautiful store in the world to display the most beautiful pearls in the world".

The owner commissioned Paris-based architect Eric Carlson of Carbondale, a specialist in luxury retail fit-outs, to develop a design concept. It was a brief that fitted the architect's business profile perfectly projects designed by Carlson include the Louis Vuitton Maison on the Champs Elysees.

Carlson says the architectural concept is focused on lighting, which reinforces the brand identity. On the exterior "bespoke pearl strings" of LED lights run on an animated sequence to create a sparkling facade that heightens the visual drama.

Animated LED lighting on both the exterior and ceiling, exhibition, interior design, lobby, brown, gray
Animated LED lighting on both the exterior and interior of the Paspaley jewellery store in Brisbane references glittering strings of pearls. A similar store is set to open in Melbourne. The design is by Paris-based architect Eric Carlson.

Niches in the store windows, which resemble transparent jewellery boxes, showcase selected pearls, offering a glimpse of what lies beyond.

The interior of the boutique expands on the lighting analogy, and adds a seductive, pearl-like luminosity through the choice of materials and finishes. The rich, muted palette of a pearl is transposed into soft beige, dove grey and brushed aluminium, with splashes of Paspaley signature yellow captured in gold leaf wall panels that frame the display cases. Light refractions off these surfaces enhance the luminosity.

Carlson expanded on the pearl theme with the furniture the seating is sensuously shaped like an oyster. Small tables have organic curves, and a full-height, semicircular screen wraps around an intimate seating area. An illuminated, oval-shaped ceiling element above the screen is echoed by the shape of the carpet below.

There are also custom carpets with a design that references strings of pearls the same pattern appears on the glass doors at the boutique entry.

From the surface finishes to the shape of floor, flooring, furniture, interior design, living room, product design, room, table, brown, gray
From the surface finishes to the shape of the furniture and the curved wall, every aspect of the Paspaley jewellery boutique interior has been designed to reference the concept of a pearl. Finishes include gold leaf wall panels between the display cases, and luminous paint. The store, in Brisbane, was designed by Paris-based architect Eric Carlson, who specialises in luxury retail and residential interiors.

Carlson says the recent emergence of boutique "La Maison" stores, such as Paspaley, reflects a backlash to large-scale retail spaces.

"Often these maison stores are as large, or larger, in surface area than their predecessors, but they are made up of many smaller rooms' and are therefore more cosy and intimate, re-instilling luxury and service at a personal scale.

"Store design is taking spatial and formal cues directly from residential works to bring a new direction of architectural domesticity to luxury retail fit-outs. Luxury stores are no longer just a place to go and shop they have become a home away from home."

Story by: Colleen Hawkes

17 Jun, 2015

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