"The house has quite a simple form, with the double storey helping to minimise the footprint," the architect says. "The stepped modules break up the mass of the building on the south side. And the design provides glazed corners that open up the interior to the view and the morning sun the view is much more expansive than it would have been without these."
Hill indented the two ends of the house, so they form a V shape that also helps to break up the mass, visually. In addition, the V creates bay window areas and alcoves that the owners can decorate and furnish as more intimate spaces.
The front door opens directly into the large, open-plan family living area and kitchen, which in turn lead to a living area. Because this level is essentially one room deep, it benefits from both the sun coming in through full-height windows on the north side, and the views through the floor-to-ceiling glazing to the south.
"The property is quite far from the city, so we tried to limit the number of trades we had working on site," says Hill. "Wherever possible, we ensured finishes and services could be provided by the building company that was already on site. For example, there is no ceramic tiling anywhere in the house. For this reason also, the entire floor features stained pinus radiata plywood, and this is replicated in the ceilings. Together these surfaces provide a lot of visual warmth."
To differentiate the kitchen joinery, the cabinetry, which is also plywood, was stained in a dark brown shade. This helps to anchor the kitchen in the overall space.
"It's a very simple little kitchen, designed on symmetrical lines, with a long island-style peninsula providing plenty of bench space for food preparation and serving," says Hill.