However, before construction could begin, issues of land contamination had to be addressed and then the land had to be strengthened. The latter was achieved by introducing 1000 stone columns to increase the density and bearing of the soil.
The block-length building is comprised of two quite distinct halves. To meet exacting acoustic requirements, the cinemas are constructed as concrete boxes – the solid form of construction helping to anchor the building. The precast concrete facade panels are textured for visual interest.
The conjoined eastern half of the building – the high atrium and dining precinct – is by contrast a lightweight steel structure. Because of the length of the building, it is split into two in the middle with a big seismic joint that runs east to west – if there’s another seismic event, the building will move at that point, minimising wider damage and risk.
Project leader for Ignite, associate Jamie Irvine says the exterior of this side of the EntX complex responds to its immediate and wider surroundings.
“While the cinema component is boldly faced in concrete, the dining/atrium side of the building features vertical, variously toned strip cladding interspersed with vertical, slender glazing,” says Irvine.
“This facade evokes the Canterbury Plains’ colours – the patchwork quilt seen from above – and the slender strips also call to mind the poplar tree wind belts seen on the plains.”
In addition, the distinctive metal cladding meets the street-level glazing in a zigzagging line, calling to mind the mighty peaks of the Southern Alps.
“In more immediate terms, the uplifted corner of the building responds to the articulated architectural features of the adjacent Central Bus Exchange.”
Inside, references to the Canterbury countryside continue with a multifaceted fit-out sectioned into zones that evoke different forests and seasons.
From high-profile archway entry points in the red Hoyts livery, diners and cinema patrons move through the triple-height atrium and concourse that starts with an open ‘glade’ aesthetic and continues to a more enclosed ‘grove’ feel deeper in the building.
Feature chandeliers, floor motifs, strip battens, full-height columns echoing tree trunks, colour-changing hanging canopies, transparent etched screens and floor stencils all contribute to the natural theme. There are even planters with real plants that will grown into the design over time. All this adds up to an immersive, entertaining environment to rival the movies screening above – essentially the concourse offers a green retreat in the inner city.
In acknowledgement of the past, elements such as recycled brick and heritage timbers were also incorporated into various aspects of the design.
Stair connectors to the cinemas are in high prominence and the upper levels of the cinema floors look down over the concourse atrium.
The cinemas in the concrete component are over three levels, with the cinema lobby located across on the hospitality side of the building, on the first floor. The luxurious Lux lounge and cinemas are on the top floor. Some of the state-of-the art cinemas include the highest quality sound systems in New Zealand and extra large screens.
Credit list
Project
EntX Entertainment Central, Christchurch
Architect
Ignite Architects – Gerry Tyrell, design architect; Jamie Irvine, project architect
Construction company
Calder Stewart
Facade engineer
Lautec Façade Engineers
Mechanical and electrical engineer
AMT Mechanical
Acoustic engineer
Marshall Day
Mega 5 Colorcoat steel profiled roofing from Graham Hill Roofing
Pacific Doors, Knobs & Knockers
Countertops
Kymira engineered stone by Wright Marble
Graham Herbert wallpaper; living wall, by Outside In; Laminex; cinema accoustic surfaces, John Herber; timber panelling by VidaSpace
Custom cinema wall systems
Forman Building SystemsPaints:Dulux; Resene
Ceiling panels
Forman Building Systems; CHH Woodpanels; Xpressclad by Pacific Build Supplies; Asona; Studco
Veneers
Timber slatting, Alucobond; Xpressclad by Pacific Build Supplies; VidaSpace Decorative Timber Paneling
Large hanging decorative 3,000 leaf pendant in the main glade area by Yellow Goat; slotted light columns by Canterbury Metalwork
Harrows Contract Furniture
Fire and acoustic doors
Pacific Doors
Developer
Calder Stewart – team: Mark Weaver, project director; Paul Smith, design manager; Matt Peterson, project manager
Interior design
Ignite Architects, Hoyts Entertainment
Hoyts fit-out
CMP Construction
Civil engineer
Jordan Walker
Innowood timber cladding, from Symonite; Alucobond aluminium cladding by Symonite; Eurotray Colorcoat steel
Glazing systems
Altus/Nulook, with treatments by GSL Glassguard; exterior glazing – Raylight
Balconies and balustrades
Handrails, balustrades, and plant platforms by Monkeytoe; steel services, from Falcon Manufacturing
Megafloor by Polished Concrete; Vaporshield by Thermakraft; Bellaroc; Laminex
Insulation, thermal and acoustic
Mammoth
Acoustic panelling
Autex ABB panels, Autex Etch from Autex Industries; USG Boral acoustic plasterboards
Simplyheat fireplace; Temperzone air conditioning, installed by AMT Mechanical Services
Printed screens and back-lit fabrics by John Herber; front-of-house architectural elements by Unique Creative and Hoyts
Lift and escalator services
Schindler
Plantings, real and artificial
Florax, Outside In
Story by:
Charles Moxham
Photography by:
David Baird
29 Jan, 2019
Home kitchen bathroom commercial design