Precision palette

This roof-raising renovation balances heritage issues with the addition of two colourful modern apartments
Interior view of living and kitchen area home, house, interior design, lighting, purple, blue
Interior view of living and kitchen area

Before renovating a protected building, issues such as structural profile, exterior detailing and safety are all looked at in stringent detail. This attention may even extend to the use of an approved turn-of-the-century colour palette on a home's exterior.

The project featured here, a renovation of a late Victorian structure with a grade-A Historic Places Trust rating, was just such a detailed undertaking. Architects Michael Melville and John Mills spent a number of years in consultation with architect and conservator Ian Bowman and the Historic Places Trust before go-ahead for the project was obtained.

"The plan was to create two contemporary apartments on the upper floor by taking advantage of a large attic space and raising the roof 1.5m over parts of the space," says Melville. "Existing gables were retained and the exterior filigree brickwork on the addition was either re-created from original materials or rebuilt in empathy."


View of staircase in this house architecture, building, flooring, interior design, stairs, wood, red, black
View of staircase in this house

While the extension had to sit well with the existing exterior, right down to the use of colours approved by the Heritage Trust, the interiors of the new apartments have a bold, modern character.

"They are used as executive stays and as such are designed to be appreciated at night," says Mills. "The interiors reflect this with an extensive use of bold colour and shiny jarrah wood floors."

Strong tones, such as the living room's deep green, accentuate the high stud, while a generous use of lighting serves to augment the rich decor.

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Exterior view of home from street

"Vibrant colours and layering of pattern were also popular in late Victorian times, so while the decor has an exuberantly modern feel it is also in a sense faithful to the home's past," says Melville. "Given the living area's high stud, we used grey mid-tones for the base colour, which makes the darker tones appear even richer."

The use of grey as a base also toned down the definition between the gables and the walls, effectively blending the walls and the ceiling.

Aug 24, 2003

Credit list

Interior designer
John Mills Architects
Main contractor
Seismic Construction
Cladding
Weatherboards from Placemakers
Painter
Hinton Decorators
Window/door joinery
Paints
Furniture
Maple-coloured Denver three-seater sofa in Carolina Falls leather, Boxter coffee table, Blue Sky loom rug by Grant Chilcott, Vincent Shepherd Lloyd Loom Dallas chair; Quad lamp, marble-topped side table and assorted cushions, all from Limited Edition
Consultants
NZ Historic Places Trust; Ian Bowman, architect and conservator
Kitchen manufacturer
Roof
Colorsteel
Window treatments
Tiling
Tile and Style
Lighting
Riel Lighting
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