Future perfect

This office fit-out for Slattery embraces the innovation and luxury of the uniforms and vehicles of the film Tron Legacy

The panels on this wall twist and turn line, pattern, product design, wood, orange — The panels on this wall twist and turn

There's ample room for Slattery to store surveying architecture, ceiling, daylighting, floor, flooring, interior design, lobby, gray

This meeting has a New York-style loft feel architecture, floor, flooring, house, interior design, product design, real estate, gray

One of the meeting rooms - One of architecture, daylighting, floor, house, interior design, tourist attraction, window, white, gray

Polished concrete floors run throughout this space floor, interior design, white, gray

An expansive window fills this open space with floor, interior design, product design, white

Slattery signage on display - Slattery signage on design, line, pattern, text, texture, wood, orange

The New York-style windows separating the meeting rooms architecture, daylighting, floor, flooring, glass, handrail, house, interior design, window, wood, wood flooring, gray

Wood floors add to the clean look in architecture, ceiling, daylighting, floor, flooring, house, interior design, laminate flooring, product design, wall, wood, wood flooring, gray

The meeting rooms are open and inviting - architecture, floor, furniture, interior design, product design, table, gray

Design: Elenberg FraserAbout the project: Have you ever wondered what the Elenberg Fraser ‘Bizarro World’ would look like? Well, we have, and we thought we’d execute it.

While Elenberg Fraser’s studio design focused tightly on the themes in Tron 1, particularly the point at which the third dimension is constructed, Slattery’s new fit-out embraces the innovation and luxury of the uniforms and vehicles of Tron Legacy. We can confirm the rumour that Elenberg Fraser had designed and specified latex reception wear (non-gender specific, obviously), we love the interaction between people and space – as always one thing needs the other.

In the same building as our studio, Slattery Australia’s office feels a world away. Way up above us on level 13, it is certainly heavenly up there – blonde timber floors flow up onto the walls, embedded graphics are linear curves and a collection of young artists is installed throughout the space including works from Joseph Kosuth, Emily Floyd and Daniel Crooks. Meeting room doors bring a touch of New York loft style with their black, steel frames and the working environment is a high-key, white, light space.

The design reflects our reading of a company, that’s come of age. One that we have been actively involved with for 14 years, since our first project. As Elenberg Fraser have moved into late adolescence, Slattery Australia have become real adults.

Story by: David Renwick

25 Jan, 2018

Office

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