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Local identity from New Home Trends volume 2801
Expansive views are usually par for the course for a rural property, but creating a country retreat doesn't have to involve isolation. The architect of this house – one of a group of new properties adjacent to the Millbrook golf course in Central Otago – designed the house to open up to the view and the immediate neighbourhood.
Francis Whitaker of Mason and Wales Architects says many existing buildings in the area are very enclosed.
"We wanted to create a much more open layout. There needed to be a social aspect to the design, to encourage the idea of a community where people could drop in, say hello and feel welcome, comfortable and relaxed."
Providing a strong connection with the outdoors was a key factor in achieving this. So, too was the key architectural influence – the house references rural barns in the district and the original stone cottages built by goldminers in the 1800s.
"These cottages have a simplicity and charm all of their own," Whitaker says. "The architecture evokes a sense of local history, and the building is especially well suited to the dry Central Otago climate."
The architect says that the design team opted for a single-level design that would not be too dominant in scale.
"This development sits directly beyond the second hole of the new Coronet expansion of the Millbrook golf course, so it was crucial to provide an attractive, yet unobtrusive design," he says. "The single level dwelling also maximises the sun and outlook, and allows an interesting ceiling treatment."
Clad in local schist, plaster and cedar, the house comprises three gable-roof pavilions – an open living wing, a more private bedroom wing and a garage with a loft bedroom. Limewashed wood ceilings follow the roof line and trusses are exposed to enhance the traditional character, and to provide a light and airy interior.
"Both the gabled ends of the living pavilion have full-height glazing to maximise the spectacular views and to allow natural light to penetrate the interior," says Whitaker.
The open living area runs the full length of the main pavilion, and includes a sunroom that projects out on the north side. The kitchen is positioned right in the centre, at the literal heart of the home.
"We created very liveable, comfortable spaces that connect well to each other and to the outdoors," says Whitaker. "And all the pavilions open to an outdoor room – a covered veranda with an outdoor fireplace and barbecue."
Semi-enclosed by low stone walls, this seating area has wooden shutters at one end, which provide shelter from the wind and help to control low evening sunlight.
The character of the architecture is reinforced by the interior design by Jean Foster of Foster and Burke Design. In the main living area the colours are soft and light, while the entrance hall features a textured paper in shades of brown. Foster says the doors were painted to match the paper, to avoid a jarring contrast.
"The deep colour creates an element of surprise as well, and is a perfect foil for a black and white photograph collection."
With its gabled pavilions and stone cladding, this house evokes historic stone cottages. The house is open to the wider landscape, but has privacy from the lane behind.
The walkway to the front entry, and central hallway form a strong axis through the house.
A covered walkway connects the house to the garage and a loggia-style outdoor entertaining area.
The covered loggia provides shelter all year round.
Fully glazed ends to the main living pavilion allow plenty of light to flood the interior.
The character of the house, which was designed by architect Francis Whitaker of Mason and Wales Architects, is reinforced by exposed trusses and a limewashed cedar ceiling. The limewash highlights, rather than conceals, the woodgrain and helps to lighten the visual weight of the trusses.
The kitchen, by Ingrid Geldof Design, has a sleek, contemporary design, with cabinets in lacquer and wood veneer.
Dark brown-toned wallpaper brings a touch of drama to the entry hall. Interior designer Jean Foster says the doors and joinery were painted a similar shade to blend in.
Limewashed ceilings also appear in the loft bedroom above the garage.
Bathrooms are light and airy. The wood veneer on the vanity is similar to the cabinetry in the kitchen and family living area.
Credit List
Architect
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Francis Whitaker, Stephen Loach and Regan Johnston, Mason & Wales Architects (Dunedin)
Cladding
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Schist stonework; rusticated cedar weatherboards
Benchtops
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CaesarStone; Trethewey Artisan Stone
Tapware
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Metrix
Kitchen accessories
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Blum; Häfele
Bathroom vanity
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Design by Ingrid Geldof Design
Bath and basins
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Caroma
Floor and wall tiles
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SCE Stone & Design
Story by Colleen Hawkes
Photography by Jamie Cobeldick
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